We wanted to know what the Top Fashion Industry jobs are, so did some research and came up with the top 30 jobs in fashion- check out the results below- then read on further for Tips to Land Your Dream Job. According to our research, here are the Top 30 Fashion Industry Jobs along with a brief job description: Fashion Designer: Creates original designs, selects fabrics, oversees production, and stays updated with fashion trends. Fashion Buyer: Selects and purchases merchandise for retail stores or fashion houses, analyzes market trends, and manages relationships with designers and vendors. Stylist: Selects outfits and accessories for photo shoots, fashion shows, or personal clients, staying updated with current trends and collaborating with photographers and art directors. Merchandiser: Plans and coordinates the buying and selling of fashion products, analyzes sales data, creates visual displays, and manages inventory. Fashion Illustrator: Creates fashion illustrations and sketches for designers, fashion publications, and marketing materials, using various artistic techniques and digital tools. Fashion Photographer: Captures images of fashion products, models, and fashion shows, organizes and directs photo shoots, and collaborates with designers and stylists. PR Manager: Manages public relations for fashion brands, coordinates media campaigns, organizes fashion events, and builds relationships with journalists and influencers. Fashion Editor: Oversees fashion content for magazines, websites, or blogs, generates story ideas, conducts interviews, and ensures editorial quality and style. Marketing Manager: Develops marketing strategies for fashion brands, manages advertising campaigns, coordinates social media and influencer marketing, and analyzes consumer behavior. Fashion Retail Store Manager: Oversees the operations of a fashion retail store, manages staff, creates sales targets, ensures visual merchandising, and monitors inventory. Creative Director: Leads and oversees the creative vision for fashion brands or publications, sets artistic direction, and collaborates with designers, photographers, and stylists. Fashion Tech Innovator: Explores and implements technology advancements in fashion, develops wearable technology, creates fashion-focused apps and platforms, and integrates digital innovations. Fashion Show Producer: Plans and organizes fashion shows, coordinates with designers, models, and production teams, manage budgets and logistics, and ensures a successful event. Trend Forecaster: Researches and analyzes fashion trends, consumer behavior, and cultural influences, predicts future trends, and provides insights to fashion brands. Sustainable Fashion Consultant: Advises fashion brands on sustainable practices, conducts audits, recommends sustainable sourcing and production methods, and guides brands toward responsible operations. E-commerce Manager: Manages online retail platforms, oversees website development and digital marketing strategies, and ensures a seamless online shopping experience. Fashion Textile Designer: Creates and designs patterns, prints, and textiles for fashion brands, collaborates with manufacturers, and stays updated with textile trends. Fashion Event Coordinator: Plans and executes fashion-related events such as fashion weeks and trade shows, coordinate logistics, manages vendors, and ensures a successful event. Costume Designer: Designs costumes for film, television, theater, or dance productions, conducts research, collaborates with directors and performers, and oversees fittings and alterations. Accessories Designer: Designs accessories like handbags, shoes, jewelry, or eyewear, sketches and prototypes designs, oversees production, and stays updated with accessory trends. Sustainable Materials Researcher: Researches and identifies sustainable materials for fashion production, evaluates their environmental impact, and collaborates with suppliers and manufacturers. Corporate Social Responsibility Manager: Develops and implements sustainability strategies, ensures ethical and environmental compliance, and fosters social and environmental responsibility within fashion brands. Circular Fashion Specialist: Promotes circular economy principles in fashion, develops strategies for recycling and waste reduction, and advocates for sustainable consumption and production. Production Manager: Oversees sourcing and production, manages relationships with suppliers and manufacturers, and ensures quality control. Supply Chain Analyst: Analyzes and optimizes fashion supply chains, identifies efficiency and sustainability improvements, and manages inventory and logistics. Wearable Technology Designer: Designs wearable technology products, integrates technology components into garments and accessories, and balances functionality and aesthetics. Data Analyst for Fashion Analytics: Collects and analyzes fashion-related data, identifies patterns and opportunities, and provides insights for data-driven decision-making within the fashion industry. Brand Manager: Develops and implements brand strategies for fashion labels, oversees brand positioning, manages brand identity and communication, and ensures brand consistency across various channels. Retail Buyer: Selects and purchases merchandise for retail stores, analyzes market trends and consumer preferences, negotiates with suppliers, and manages inventory to optimize sales and profitability. Data Scientist: Applies data science techniques to analyze and interpret fashion-related data, develops predictive models and algorithms, and provides data-driven insights for strategic decision-making in the fashion industry. Keep in mind, the industry is changing fast- more roles in sustainability, supply chain, and circulatory processes are gaining traction- so keep your eyes open for those positions to increase and become necessary. Ok, so now that we know the Top Fashion Industry jobs, we asked which ones are the MOST sought-after. This means that these will be the most competitive roles and will require you to be on top of your game to beat out the competition. Most sought-after jobs: Fashion Designer: Designers with a unique creative vision and the ability to create innovative and trend-setting designs are highly sought after by fashion brands. Buyer: Skilled buyers who can identify market trends, negotiate effectively, and curate a desirable product assortment are in high demand in the fashion industry. Stylist: Stylists who have a keen eye for fashion, strong knowledge of current trends, and the ability to create captivating looks are sought after for editorial shoots, celebrity styling, and personal styling services. Fashion Marketing Manager: Professionals with expertise in fashion marketing, including digital marketing, social media, and influencer marketing, are highly sought after by fashion brands looking to enhance their online presence and engage with their target audience effectively. Fashion Tech Innovator: With the growing integration of technology in the fashion industry, professionals who possess a combination of fashion and tech skills, such as wearable technology design, e-commerce management, and data analytics, are in high demand. Sustainable Fashion Consultant: As sustainability becomes increasingly important in the fashion industry, experts who can guide fashion brands toward sustainable practices and provide solutions for responsible sourcing and production are highly sought after. Fashion PR Manager: Public relations professionals with expertise in fashion PR, including media relations, event management, and influencer partnerships, are sought after for enhancing brand reputation and visibility. Fashion Retail Store Manager: Retail store managers who can create engaging shopping experiences, effectively manage teams, and drive sales are highly valued by fashion retailers. Creative Director: Creative directors with a strong vision and the ability to lead and inspire creative teams are in high demand to drive the artistic direction of fashion brands and publications. Data Analyst: Professionals who can analyze and interpret fashion data to derive meaningful insights and support data-driven decision-making are increasingly sought after as the industry emphasizes the importance of analytics. It's important to note that the demand for specific roles will vary over time due to shifts in industry trends, consumer preferences, and emerging technologies. Therefore, it's advisable to stay updated on the latest developments in the fashion industry to identify the most sought-after job opportunities. So now that we know about the Top Fashion Industry Jobs, let's talk about salaries. While salaries will also depend on many factors, here are some of the top-paying fashion industry jobs: Creative Director: Creative Directors, who oversee the artistic direction and overall creative vision of fashion brands, can earn high salaries due to their level of responsibility and expertise. Fashion Marketing Director: Marketing Directors in the fashion industry, especially those leading strategic marketing campaigns for luxury brands, can command high salaries. Fashion Brand Manager: Brand Managers responsible for managing and growing fashion brands often receive competitive compensation due to their role in shaping the brand's image and driving business success. Fashion Merchandising Director: Directors in fashion merchandising, particularly those overseeing large retail operations or working with high-end brands, can earn significant salaries. Fashion Design Director: Design Directors leading design teams and setting the creative direction for fashion brands are often rewarded with higher salaries. Fashion Retail Buyer: Experienced and successful fashion buyers, especially those working for luxury brands or large retailers, can earn high salaries based on their ability to curate a profitable and desirable product assortment. Fashion PR Director: Directors in fashion public relations, managing the reputation and media relations for fashion brands, may receive high salaries due to the importance of their role in brand image and visibility. Fashion Technology Manager: Professionals specializing in fashion tech, such as those managing wearable technology or leading digital innovation in fashion, can command competitive salaries due to their specialized skills. Fashion Show Producer: Show producers responsible for planning and executing high-profile fashion shows, particularly for renowned designers or fashion weeks, can earn substantial salaries. Fashion Editorial Director: Editorial Directors overseeing the creative direction of fashion publications, both in print and digital media, can earn higher salaries based on their experience and industry influence. It's important to note that salaries can vary significantly depending on factors such as the location and market segment of the fashion industry, the level of experience, and the success and reputation of the individual and the company. Is your dream job on our list? If not or you're unsure of what role is best for you, check out our free comprehensive Fashion Industry Jobs list with links to learn more about each role: To grab your downloadable PDF, visit here Ok, So now What Skills Do I Need to Succeed in My Dream Role, and How Do I Gain Them? Check out this post: Top 12 Ways To Gain Skills & Get Promoted to Succeed in The Fashion Industry. In this article, you will find action steps you can take, along with an Actionable checklist to keep you moving forward. Thanks for reading today! Have other suggestions or questions? Reach out to let us know design@insidefashiondesign.net Know someone who would like this article? Please share! 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Here are the key skills needed for success in the top 10 roles within the fashion industry: Take a look at some of the main skills needed for top fashion industry jobs. Ask yourself which skills do you excel at and which do you need to build upon? Learning and enhancing your skill set is an ongoing process- stay open to growing and working on professional development to build your strengths which will advance your career. Creative Director: Strong creative vision and artistic abilities Leadership and team management skills Trend forecasting and market analysis Excellent communication and presentation skills Fashion Marketing Director: Strategic marketing planning and execution Brand management and positioning Digital marketing and social media expertise Market research and consumer behavior analysis Fashion Brand Manager: Brand strategy development and implementation Strong business acumen and financial management skills Market analysis and competitive positioning Excellent communication and relationship-building skills Fashion Merchandising Director: Merchandising strategies and product assortment planning Analytical skills for sales data analysis and forecasting Vendor management and negotiation skills Knowledge of fashion trends and consumer preferences Fashion Design Director: Design and sketching abilities Fabric and material knowledge Trend awareness and forecasting Technical skills for pattern making and garment construction Fashion Retail Buyer: Trend analysis and forecasting Vendor management and negotiation skills Analytical abilities for inventory management and sales forecasting Strong knowledge of target market and consumer preferences Fashion PR Director: Media relations and communication skills Event planning and management Influencer partnerships and collaborations Crisis management and public speaking abilities Fashion Technology Manager: Knowledge of fashion tech innovations and trends Technical skills in wearable technology or e-commerce platforms Project management and problem-solving abilities Understanding of user experience and customer journey Fashion Show Producer: Event planning and production management Budgeting and logistics management Strong network and relationship-building skills Creativity and attention to detail Fashion Editorial Director: Strong writing and editing skills Creative direction and storytelling abilities Understanding of fashion trends and industry knowledge Collaboration and leadership skills for managing a creative team Remember that these skills may vary slightly depending on the specific company, brand, or segment of the fashion industry. Researching individual job requirements and tailoring your skill development is important. So how do you gain or build these skills to strengthen your skill set? Check out our pointers in this post: Top 12 Ways To Gain Skills to Get Promoted & Succeed Your Fashion Industry Dream Job Thanks for reading today! Have other suggestions or questions? Reach out to let us know design@insidefashiondesign.net Know someone who would like this article? Please share! Subscribe to our newsletter to stay in the know and see all our featured makers, along with industry insights & inspirations! Become a fashion industry insider. Join our Free Fashion Industry Community: insider.insidefashiondesign.com

Greetings Fashion Industry Enthusiasts! If you are reading this, you are interested in leveling up your skills to increase your chances of achieving success in the Top 10 Fashion Industry Jobs. Here is our list of general steps you can take to boost your skills and level up your career. Check out our handy dandy checklist with actionable steps to keep you on track. Grab your copy here: Top 12 Ways to Gain Skills to Get Promoted & Succeed Your Fashion Industry Dream Job 1. Education and Training: Pursue a relevant degree or program in fashion design, fashion marketing, business, communications, or a related field. This will provide a solid foundation of knowledge and skills specific to the fashion industry. If you are already in the industry, look for professional development workshops- many are available online and you can work at your own pace. Completing a workshop or certificate is an excellent way to increase your knowledge and addition to your resume. Check our list of Top Fashion Design Programs 2. Gain Experience: Seek internships, entry-level positions, or freelance opportunities within the fashion industry to gain practical experience and build your portfolio. This will help you understand the industry dynamics and develop relevant skills. Here is Women's Wear Daily featured book and recommended reading: The Little Book to Land Your Dream Job by Billy Clark and Clayton Apgar From WWD.Com: Billy Clark and Clayton Apgar have helped many in the fashion industry land their dream jobs, and now their secrets are available for all. The pair have released “The Little Book to Land Your Dream Job,” based on their expertise in counseling more than 5,000 people on career changes and job searches with companies like The Row, Kelly Wearstler, Peter Marino, and more. “One of the most important components of the dialogue we’ll have with anyone is expanding what we often traditionally think of as our skill set to encompass attributes, which are broader than our skill set, technical or otherwise,” Apgar says. “Especially in the 21st century, especially in a lot of roles in a service economy, there’s a broader range of experiences, talents, and perspectives that we all can bring to a role that sometimes are more valuable. Helping people see that full landscape, especially in a creative vertical like fashion, can make a huge difference.” WWD 3. Develop Technical Skills: Depending on the role, focus on developing technical skills specific to that position. For example, if you aspire to become a fashion designer, enhance your sketching, pattern-making, and sewing skills. If you aim to work in fashion marketing, focus on digital marketing, social media management, and data analytics. 4. Stay Updated on Trends: Keep a pulse on fashion trends, consumer preferences, and industry developments. Follow fashion publications, attend fashion events, and immerse yourself in the fashion culture to stay current and relevant. Currently, being aware of what's happening in Fashion Tech and sustainability practices is increasingly important. You can find information just by googling! Check out our past event discussion Fashion & Tech, with prominent industry guests 5. Network: Build a solid professional network within the fashion industry by attending industry events, joining fashion associations, participating in fashion competitions, and connecting with professionals in your desired field. Networking can lead to valuable connections, mentorship opportunities, and job prospects. Action steps: Check out your local fashion shows. Many cities now host their own. Consider participating, even if you're not building your own brand. If you are looking for a way to showcase your talent and skillset, participating in a show is a great way to get seen, meet people, and gather photos and portfolio content Find your local networking events. none in your area? Could you organize your own? Check out existing Fashion Associations that you could join- find one for free or within your budget and sign up. Attend free zooms. There are endless Zoom sessions these days- most are free and bring in industry pros. You can learn about almost every topic, from circularity to sustainable textiles, to design techniques, color, and branding....the list goes on and on. Again just google search! Take online classes to meet others and earn a certificate- again many free online classes exist, some with affordable pricing that can earn you a badge to add to your professional profile and is a great way to connect with others. Are you an introvert and dread networking? Check out this most viewed video on YouTube Networking. for Introverts from marieTV 6. Continuous Learning: Fashion is a dynamic industry that constantly evolves. Commit to lifelong learning and stay open to new ideas, If you're already working in the industry and perhaps have been for many years, continuing education can keep you relevant and expand your skills in areas such as emerging technologies, and industry best practices. Take advantage of workshops, online courses, and industry conferences to expand your knowledge and skills. 7. Develop Soft Skills: Alongside technical skills, focus on developing essential soft skills such as communication, creativity, problem-solving, teamwork, and adaptability. These skills are crucial for success in any fashion role, as they contribute to effective collaboration, innovation, and professional growth. 8. Showcase Your Work: Build a strong portfolio or online presence to showcase your skills, projects, and achievements. This includes design collections, marketing campaigns, event planning, or any other relevant work demonstrating your abilities. 9. Seek Mentorship: Find mentors or professionals in your desired field who can provide guidance, advice, and industry insights. Their experience and knowledge can help you navigate the industry and provide valuable career guidance. 10. Persistence and Perseverance: The fashion industry can be competitive and challenging. Staying focused, working hard, and persevering through setbacks is essential. Building a successful career in fashion often requires dedication, resilience, and a proactive approach. 11. Update your resume: Here are some pointers from Indeed.com: 10 Best Skills To Put On Your Resume (With Examples and FAQ) 12. Enlist the help of a recruiter: Here are a few options. It's worth doing some research to find recruiters that are in your area and specialize in fashion careers and are a good fit for your goals. Amycoleconnect.com A long-time industry recruiter Amy Cole from Amy Cole Connect has helped hundreds of companies and candidates connect and find the right match. Check her out here: www.amycoleconnect.com Amy is based in NYC and most jobs are on the east coast, but it doesn't hurt to make yourself known to her. Amy also offers career coaching and if you're serious about up-leveling your professional brand, check out her transformative process: Bolywelch. Check them out here: https://bolywelch.com Another agency based in Portland. boly:welch is the premier Portland job recruitment agency and is recognized for over 37 years for the great work they do: putting people front and center in the hiring process. Here is a great resource page from boly: welch 52 Limited. Check them out here: 52 Limited "52 Limited is a digital resource company connecting creative + technology talent with leading brands, marketing and engineering departments, start-ups, design firms, advertising and interactive agencies. As a boutique agency born and bred in design-obsessed Portland during a tech renaissance, we're high touch and highly knowledgeable." From https://52ltd.com/our/story. They also published blogs that are great reads about professional development. 24seven: HOW 24 SEVEN CAN HELP YOU FIND CREATIVE JOBS "If you’re ready to begin your search for one of these creative jobs, consider working with the specialized recruiters at 24 Seven. Our team is a leader in finding creative talent and exciting careers in the marketing, digital, fashion, retail, and beauty sectors. We have deep connections with a vast network of organizations looking for full-time and freelance creative talent just like you! We often know of opportunities before they’re even posted, and we work as a free job resource for you. Contact our recruiters today, and let’s find your next creative job together!" From https://www.24seventalent.com/blog/2023/05/the-most-in-demand-creative-jobs-today Remember that each role may have specific requirements and paths to success, so it's essential to research and tailor your skill development based on your career goals. Thanks for reading today! Have other suggestions or questions? Reach out to let us know design@insidefashiondesign.net Know someone who would like this article? Please share! Subscribe to our newsletter to stay in the know and see all our featured makers, along with industry insights & inspirations! Become a fashion industry insider. Join our Free Fashion Industry Community: insider.insidefashiondesign.com

Hey there, fashion industry professionals! Whether you're a seasoned designer or starting out, I know you're motivated to improve your skills and achieve your goals. In this article, we'll share 5 Simple Practices to Elevate Your Fashion Design Career that can help you keep growing in this exciting and dynamic field. 1. Staying Up-to-Date: First and foremost, staying up-to-date with the latest trends and innovations in fashion is crucial. This means watching what's happening in the industry and attending fashion shows, exhibitions, and networking events to connect with other professionals and learn about new developments. Staying current can help you remain relevant and competitive in this constantly evolving industry. (For free trend information, check out ifd's TREND & COLOR topics inside our community) 2: Stay open to learning & Growing: It's also essential to take the time to reflect on your work and identify areas for improvement. Whether you're working on a new collection or collaborating with others on a project, assessing what worked well and what could be improved. upon in the future is vital. This reflective approach can help you refine your skills and process and produce better work. Consider further professional development through classes and workshops. Not only will you expand your mind, but also your network by joining the conversation with other like-minded individuals. 3. Time Management: In addition to refining your skills, staying organized and managing your time effectively is crucial. This can be incredibly challenging in a fast-paced industry like fashion, where deadlines are tight and expectations are high. But you can reduce stress and increase productivity by prioritizing tasks, delegating when appropriate, and setting realistic goals. Check out our feature: What are the Top Time Management Tools to Increase Your Productivity? One platform we LOVE that keeps us on time, is ngnINE Product Line Management system- Tech sketches, colorways, BOMs, Costing, Specs, tracking, and more- all in one. User-friendly, free training, share with your partners and makers- saving time and money. Ifd Connect members receive 10% off, Watch an intro here 4. Stay Connected to Your Why: Remember why you got into fashion design in the first place: the love of creating. Whether it's the initial spark of inspiration, the thrill of seeing your vision come to life, or the satisfaction of knowing that your work has made a difference in someone's life, so many aspects of this field can be inspiring and fulfilling. By focusing on the positive and staying connected to your passion, you can continue to thrive in this exciting and challenging industry. 5. Find your Community Network: Finally, seeking mentorship and support from other professionals in the industry is essential. Whether you're just starting out or have been in the field for years, there's always something new to learn from others. By seeking guidance, feedback, and inspiration from those around you, you can continue to develop your skills and stay connected to the vibrant and supportive community of fashion design professionals. In conclusion, I hope these best practices have provided some helpful guidance for your career in fashion design. Remember to stay current, organized, passionate, and connected to your community. With these tools, you can continue to grow and thrive in this exciting and dynamic field. Best of luck to all of you! Thanks for reading today! Like this article? Please share! Want to stay up-to-date on all our insdier tips and tricks, events and happenings? Subscribe today!

In the enchanting Northern Peninsula of La Guajira, Colombia, lies Makú, a place where artisanal skills come to life. Wayuú, the indigenous people of this region, embody the essence of ancestral technologies, cultural heritage, and sustainable development. Through their crafts, they weave a tapestry of identity, collaboration, and creative economy that resonates with ethical and sustainable fashion. Unveiling Makú: Exploring the Wayuú Vision in La Guajira, Colombia At Makú, the Wayuú community's crafts and artistic expressions hold deep meaning, reflecting their traditions, stories, and connection to the land. Each piece tells a tale of cultural significance, intricately made with ancestral knowledge passed down through generations. Meet the Makers Series: Donna Karan's Visit to Maku with Mutual Empathy & Looking for the Masters. Preserving Cultural Heritage: Ancestral Technologies and Collaborative Creativity Preserving cultural heritage is at the core of Wayuú craftsmanship. The use of ancestral technologies ensures that age-old techniques continue to thrive, honoring the wisdom of their ancestors. From vibrant textiles to intricate beadwork and hammocks, every creation is a testament to Wayuú’s rich cultural heritage. Bags from Lombia.com Collaboration is a key element of Wayuú craftsmanship. The community comes together, sharing skills and knowledge, fostering a sense of unity and collective creativity. Through collaborative efforts, they build a sustainable creative economy that uplifts the community while respecting the environment. Wayuú craftsmanship also embraces sustainable development. The artisans utilize locally sourced materials, minimizing their ecological footprint. Their commitment to sustainable practices aligns with the principles of ethical fashion, promoting conscious consumption and reducing environmental impact. As we delve into the world of Makú and the Wayuú vision, we can acknowledge and appreciate their ancestral technologies, cultural heritage, collaboration, and sustainable development. Their crafts not only adorn us with beauty but inspires us to further embrace ethical and sustainable fashion. Traditional symbols often used in bag designs from Lombia.com Let's celebrate the artisans of Makú and the Wayuú community. Let their craftsmanship be a source of inspiration as we strive for a more conscious and sustainable future. To learn more about the creative process, I found this brand and youtube channel for a nice "inside peek" To learn more about the Wayuu, here is an informative article: Latin American Culture: 4 Things to Know About The Wayuu People Thanks for checking out our maker's stories- Do you know a maker to be featured? Let us know! Know someone who would like this article? Please share! Subscribe to our newsletter to stay in the know and see all our featured makers, along with industry insights & inspirations!

Are you ready to embark on a sustainability journey that not only empowers women through fashion and celebrates the rich cultural heritage of Indonesia? Look no further than TORAJAMELO, a vibrant and socially conscious brand revolutionizing how we perceive fashion and community development. With their high-quality, and functional products made from traditional hand-woven textiles, TORAJAMELO aims to break the cycle of poverty and violence experienced by indigenous women in Indonesia. The story of TORAJAMELO, which translates to "Beautiful Toraja," began in 2008 when its founder, Dinny, set out to create a better life for marginalized rural women weaver artisans in Indonesia while revitalizing the art of Indonesian hand-woven cloth. What started as a humble initiative in Toraja, South Sulawesi, has now blossomed into a movement that spans the nation and empowers women through fashion TORAJAMELO operates with a comprehensive approach to community development and sustainability through the following programs: Preparing weavers for the global market by conducting Community Organizing programs and Capacity Building initiatives, equipping them with essential skills like fashion trends and textile design. Providing access to micro-finance and social support, including donations of reading glasses. They have a regeneration program that ensures the transfer of weaving knowledge to the younger generation, safeguarding the craft for years to come. For the B2B business, Torajamelo works with brands to develop and produce products through their resources, which provides small designers and emerging brands to manufacture products through their program. They are able to ship products worldwide and work closely with you, buidling relationships with each maker/brand. To learn more about their work and how you can partner with them, watch our Iive conversation with Aparna Saxena, as she shares the story and explains the services they offer. CEO Aparan Saxena sharing the story of TORAJAMELO Let's take a closer look at TORAJAMELO's vision, mission, and values: Vision: Alleviation of poverty by creating a sustainable ecosystem focused on women in indigenous communities. Mission: TORAJAMELO is committed to establishing a sustainable economy in indigenous communities by merging cultural, social, and environmental approaches. Values: Collaboration with the community, upholding quality, practicing integrity, taking purposeful action, and believing in compassion. TORAJAMELO's efforts are guided by three pillars, each contributing to the creation of a sustainable ecosystem in rural economies: Commerce: TORAJAMELO showcases the captivating "stories of Indonesia" to locals and the world through their ethical-slow fashion lifestyle brand. They cater to business-to-business (B2B) and business-to-consumer (B2C) customers, including larger B2B and wholesale orders through their extensive community network. Community Collaboration: At the heart of TORAJAMELO lies its core pillar of community collaboration. They work closely with weaving communities, ensuring the design and development of weaving techniques that preserve the authenticity of the craft while staying relevant to evolving market trends. This pillar also extends beyond textiles, creating additional sources of income and livelihood for partner communities through community-based tourism and regenerative economy projects such as community farming and agriculture. Consultancy: TORAJAMELO offers advisory services to corporations on environmental, social, and governance (ESG) practices and how to integrate UN Sustainable Development Goals (SDGs) into their businesses. They also provide mentoring and coaching support to impact businesses, helping them navigate the current landscape while staying true to their core purpose. In addition, Toramajelo makes an impact by focusing on these additional driving forces in its business practices: Social: Torajamelo community work focuses on addressing poverty and promoting gender equality by providing sustainable opportunities for women weavers, preventing migration, and improving financial stability. We also offer funding support after disasters to help communities rebuild. Cultural: Through Torajamelo's "cultural sustainability" initiative, they collaborate with 1200 weavers to preserve and revive . They aim to pass on the tradition of backstrap loom weaving and showcase the diverse heritage motifs across Indonesia. Environmental: Toramajelo prioritizes sustainable practices by sourcing natural materials, reducing waste, and promoting a circular economy. With a focus on responsible consumption and climate action, their goal is to set a sustainability standard for fashion brands, starting in Indonesia, and achieve full product traceability. With a passion for Indonesian hand-woven textiles and a commitment to empowering women, TORAJAMELO creates a range of fashion lines and gift products, all made with love and care. Each TORAJAMELO product is a beautiful and functional item that becomes a part of a powerful movement supporting the livelihoods of thousands of weavers across rural Indonesia and empowering poor urban women who produce the finished goods. TORAJAMELO atTenun Fashion Show 2021 Goals for the future: By 2025, TORAJAMELO aims to become a major shopping destination in Indonesia, offering high-quality fashion lines and gift products made exclusively from Indonesian hand-woven textiles, collaborating with at least 5,000 weavers across rural Indonesia and at least 100 urban poor women. Dinny, the visionary behind TORAJAMELO, explains that their mission is to alleviate poverty by creating a sustainable ecosystem focused on women in indigenous communities. TORAJAMELO is so much more than a fashion brand. It's a force for positive change, a testament to the power of collaboration, and celebrates Indonesia's diverse cultural heritage. Whether you visit their flagship store in Jakarta, explore their online shop at www.torajamelo.com, or work with them for your own products, you'll find beautifully handcrafted products that carry the stories and dreams of countless talented women across Indonesia. Join TORAJAMELO on their remarkable journey, where every purchase becomes a catalyst for empowerment and a step towards a more sustainable and inclusive future. We can weave a brighter tomorrow, one thread at a time. Know someone who would like this article? Please share! Become an ifd Insider- our free Fashion Industry Community We invite you to join us! Visit: www.insider.insidefashiondesign.com to get all the perks and benefits to support your design endeavors.

Contributing Author: Tina Martin, www.ideainspired.com It’s a well-established fact that self-care offers some very amazing health benefits—not just the physical, mind you, but for mental health, as well. For many people, the latter may even be more compelling. Self-care is, in fact, a wonderful way to manage stress, as well as reduce anxiety and depression. It’s even known to boost self-esteem and confidence—on top of keeping your body looking and feeling its best, at that. Of course, the formula for self-care is quite well-known and simple, as well. Maintaining a nutritious diet, for instance, is a huge part of it, as is consistent physical activity. Healthy practices like meditation and yoga are also widely acknowledged as wonderful self-care tools. However, these are not the be-all and end-all of self-care. There are, in fact, some less acknowledged yet no less beneficial methods, which can also be valuable additions to your self-care toolkit. Check out the following tips below Get more sleep No doubt, getting sufficient sleep is a crucial part of self-care. Sad to say, it’s all too common for people to juggle too much in this day and age, and sleep often ends up taking the backseat. However, adequate sleep is actually a lot more necessary than most people realize. Sufficient sleep can help you keep off weight, as well as ward off health issues like high blood pressure and diabetes (to name a few). Most importantly, a good night’s sleep improves one’s focus and memory and reduces irritability, fatigue, depression, and stress. Improve your sleep habits by ensuring you're as comfortable as possible. You can start by purchasing a new mattress if your current model is over 10 years old. A humidifier can eliminate dry air which can cause discomfort and irritation. And don’t neglect sleepwear. A new pair of pajamas or a soft and comfortable nightgown can do wonders for improving your sleep. Relieving tension at home by decluttering and organizing can also boost sleep quality. Visit the dentist Now, this may come as a real surprise, but there’s a direct correlation between the health of your mouth and your mental health. As a matter of fact, poor oral hygiene is quite common in the mentally ill. Moreover, tooth decay and gum disease are linked to depression, while muscle tension in the jaw can lead to stress. Needless to say, a visit to your dentist is a very significant aspect of self-care that you shouldn’t overlook. Ignoring this, on the other hand, could very well contribute to anxiety, depression, and other mental issues. Look for confidence-boosters Yes, beauty is only skin deep, but who doesn’t want to look and feel their best? Taking care of our appearance makes a big difference in how we feel about ourselves, and as a form of self-care, it goes a long way toward enhancing mental health. From a hot seasonal trend to a stylish pair of shoes, adding a new piece to your wardrobe can quickly uplift your self-esteem. The same holds true for a makeover or a haircut. A few snips, a new color, and a change in eye makeup might be all it takes. Or perhaps crooked teeth are the root of lackluster self-confidence. Well, this can be addressed too! Just say “no.” Lastly, probably a very understated self-care tool is the word “no”—something that people definitely need to say more often. Just consider how many times you’ve said “yes” to going out, extra work, doing people favors, etc.—only to find yourself not entirely feeling good about it and, by extension, unknowingly adding to your stress and feelings of discontent. Of course, saying “no” is, more often than not, easier said than done. However, you can, in fact, be true to yourself and stay polite while you’re at it—essentially, giving yourself the self-care you need without harming your relationships. A lot of the aspects of self-care are straightforward. But the fact is, to really get the holistic benefits of self-care, you need to make sure that you’re also paying attention to the aspects of your life that you barely notice, too. A happy mind makes for a happy body, after all (and vice versa), so work on ticking all the boxes to achieve overall wellness. Thank you Tina for contributing this article! "Tina Martin stays busy as a life coach and works hard to help herself and her clients achieve a healthy work-life balance. She started ideaspired.com as a side project to reach as many people as possible and encourage them to put their dreams first. She is also working on her first book, Ideaspired: Put Your Ideas, Your Inspiration, and Yourself First to Make Your Dreams Come True."

Hello there, fellow swimwear enthusiasts! Summer is in sight, and whether you are ready or not, it's time to get out your swimsuit! If you haven't gotten a suit lately, you will be pleased to know that more sustainable options are available now and Koraru is such a brand that's standing up to make a positive impact in the world of swimwear. So Koraru Swimwear is making the list of IFD Favorite Finds! If you follow me, you know how much I love swimwear design and where I spent most of my career working. This brand has impressed me with its simple yet elegant styles and, most notably, its mission to use sustainable and eco-conscious materials—something not easily done with swimwear. While diving into their website, I found an article in the Koraru "journal" entitled: "How Modern Swimwear Yarns & Fabrics are Revolutionizing the Fashion Industry." If you are familiar with most swim and activewear fabrics, you know it needs stretch capabilities to offer proper fit and support, usually made of petroleum-based fiber. It's so great to see how Koraru is pushing the boundaries of swimwear by designing with sustainability at the core of its brand, making waves in the fashion industry, and setting a new standard for swimwear design. So, grab a refreshing drink, and let's dive into the world of Koraru, where fashion meets sustainability in the most stylish way possible! Check out some of their best sellers, offered in a beautiful array of colors and sizes. A Bestseller, the Chikyu belted one-piece suit by Koraru About Kōraru: Founded by Oana Romaneiro a Romanian model and designer. She was born on the coast of the Black Sea, in the city of Constanta, but spent most of her adult life throughout Asia, where she worked as a model, before settling in Japan. She now lives in Tokyo with her husband and son, from where she designs for Koraru. "I started the journey of creating Koraru a while after a vacation I took with my husband. It was our first time traveling to Maldives and I wanted to celebrate the occasion by buying a couple of new swimsuits. After one blissful week in arguably one of the most beautiful destinations I've ever been to, those swimsuits never looked, nor felt the same. They became saggy and deformed. I found it frustrating that as a customer, I paid for a premium product that didn't even last a week. And I realized that throughout my life, it has been a common theme with swimsuits that would look a different color at the end of summer than when they were purchased or became transparent when swimming. That prompted me to take a deep dive into the swimwear market, from luxury fabrics to ethical practices. I learned a lot about the difference that premium, technical fabrics make in terms of endurance. Fabrics that were once reserved for performance sports are now available for fashion swimwear. It was then I decided to take a chance and found Koraru, a brand that blends stylish minimalism with quality and sustainability, as an alternative to the status quo. The sustainability focus of the brand came from my experience in the fashion industry for 15 years. I have seen what toll poor quality garments and overconsumption take on our natural world. I believe a shift to slow fashion and more mindful consumption can help counter some of the negative impacts we have on the environment as fashion consumers. This, coupled with actively demanding from our leaders better environmental policies and regulations, is a start in the right direction. I hope Koraru and similar brands that were created from inception with sustainability as their foundation will show that, as consumers, we do care about the clothes we wear and what choosing those clothes means for the environment. And we choose to buy better." - Oana Romaneiro, (from www.koraru.com) A Koraru best seller the Zabel one piece Born in the sea, KŌRARU swimwear is made from ECONYL® FIBER, regenerated nylon from nylon waste such as fishing nets, fabric scraps, carpet flooring, and industrial plastic. Learn more about some of the materials being used in the collection: Learn more about sustainable materials in this Article: HOW MODERN SWIMWEAR YARNS & FABRICS ARE REVOLUTIONISING THE FASHION INDUSTRY (from Koraru.com) SUSTAINABLE MODERN SWIMWEAR FABRICS One way fashion brands can improve sustainability is through their fabric choices. Nowadays, clothes can be made from all sorts of fabrics - and some are definitely better than others for the environment. Picking swimwear can already be a daunting task without having to consider the material it is made out of. Luckily, new fabrics are being developed that are ideal for swimwear. Here are a few sustainable fabrics that are good options: ☼ HEMP Hemp may seem like an unusual choice for swimwear, but it is a great natural alternative. When mixed with a little elastic, it can be made into a very comfortable swimsuit fabric that has good UV protection and does not shed any microplastic. Compared to cotton, another natural material, it uses 1/4 as much water yet yields 250% percent more fiber. This makes it a low-impact natural alternative for women who want a bathing suit for leisurely activities. ☼ RECYCLED POLYESTER Another synthetic option for eco-friendly brands is recycled polyester. Regular polyester has a huge carbon footprint and uses massive amounts of water, chemicals, and fossil fuels to make. Recycled polyester, however, is more environmentally friendly. It doesn’t use any new petroleum and generates 75% less CO2 emissions. Using recycled polyester allows you to have the same durability with a much lower impact on the environment. ☼ ECONYL® REGENERATED NYLON A synthetic material that has revolutionized the market is ECONYL® regenerated nylon. It is a recycled nylon fabric that can be used to make many different kinds of clothing items. As mentioned above, it is already a favorite of top brands like Prada who are using it for their Re-Nylon collection. It’s special because the process not only recycles but regenerates the nylon. This makes it as good as new and also infinitely recyclable. ECONYL® regenerated yarn is sourced primarily from waste destined for landfills. Old carpets, fishing nets, and manufacturing waste are all collected and converted into revolutionary material. Because it is made from recycled materials, every 10,000 tons of Econyl created saves 70,000 barrels of crude oil and 65,100 tons of CO2 emissions. Thanks for reading today and taking the time to learn more about sustainability in swimwear. Every step we take, no matter how big or small, is a step forward that ultimately adds up to great strides. Do you have a favorite sustainable swim brand or fabric you love? Let us know....we are always curious and open to learning more! Do you have a favorite sustainable swim brand or fabric you love? Has anyone tried Vitamin A or Maoiswim which seem to be all over social media? Let us know....we are always curious and open to learning more! Check back often for more favorite finds and features on Inside Fashion Design. This post may contain affiliate links. I’m careful to link to products and retailers that I use myself and recommend. Money earned keeps Inside Fashion Design running and allows me to do what I love for a living and keep providing valuable content for you. Thank you for your support.

Hello Dear Readers! Today we are featuring Portland's own Sloane A. White. I met Sloane about 5 years ago when we were preparing for a Design Week Portland Event. We collaborated with Bora Architect Firm and were looking for models to show our wearables at the event: Comfortable? Fabric And The Threshold Of Shelter. That was back in 2018 and since then, Sloane has been on quite the journey- Here we share exclusive behind-the-scenes story of their journey Join us Thursday, March 16th for a live chat with Sloane! Free and open to all! RSVP is required to receive the zoom link. Create your log in and view EVENTS to RSVP IFD: Sloane, tell us about your background and education SW: I attended the Pacific Northwest College of Art in the Pearl district in downtown Portland. I have a bachelor's of fine art in animation, which inspired me to learn how to sew. My major has a focus on stop-motion animation. Stop-motion films such as Laaika House and Tim Burton's films like James and the Giant Peach and Nightmare Before Christmas, you can see that the films are created with real puppets and real lighting, so I was getting interested in making tiny outfits for my puppets. I grew up sewing occasionally, but I didn't take it seriously. Then, when I graduated college, I got commissioned to do a music video for a musician out of Seattle. I was making this one character, and she had many outfit changes. So when I finished the music video, I decided to mess around and learn how to make full-sized clothing since I had gotten the hang of making clothes for the miniature puppets. I had little income then, working out of a food cart downtown, and barely had any money. So I was using fabric scraps, buying old sheets and curtains from goodwill, and just seeing what happened. I made 23 dresses by hand that summer of 2014, and they were all imperfect, but I was learning more and more with each failure. By the fall, I had saved enough to buy a cheap singer machine from target and was getting more invested. At one point, I was finishing one dress every other day. One time I was out with my best friend McKenna, walking around shopping downtown at some boutiques. We walked into this boutique called Billy Goat Vintage, which is no longer around. The owner asked me where I got my dress. I wasn't trying to call attention to myself, so I told them, "oh, it's just vintage," My best friend snitched on me, and thank goodness she did since it set me on this whole new path. McKenna said, "they are lying; they made that dress!" And the person working there was interested to see more of my work and told me that if I had anything extra that I wanted to part with that, I should wash my garments that night, press them and bring them in the next day, and I could choose what price I thought was fair and I could be in their store! So that night, I got all my stuff ready, and I came back the next day, and over time many of my garments sold in that store. Through the shop, I met Sundari Franklin. Sundari is a designer in town who was also in the same store, and she planned a fashion show, which became the first fashion show in which I participated. From there, I was invited to more fashion shows, and my designs and interests evolved, but that is how I started. IFD: Tell us about your work history- job history and the path up to current day work SW: I have sewn for other designers in town, which has taught me many technical skills. I worked for a luxury bag company, a ready-to-wear designer in NE PDX Lindsey Reif, whose brand is Reifhaus; I sewed costumes for the Children's Theater downtown and was the tailor for a bit of a while at Indochino as well. I appreciated everything I learned at all of these locations, and most of all, I realized that I never wanted to sew my line making multiples in vast size runs. Sewing the same thing over and over is maddening to me. Currently, I am a team lead at Indochino, which is a suit company. This job is technically easy for the most part, besides being customer-facing, which we all know can sometimes be a struggle. I am not pushing to sell my clothes or take commissions because doing that doesn't please me. Also, when sewing stuff for someone else, I could improve at staying on a timeline because I keep putting it off. So to avoid letting anyone down, I no longer do commissions. I see myself purely as an artist. So yes, I have to have a day job to support myself and pay bills, and that way, my fashion design is not connected to my finances, which is what I prefer. IFD: Tell us about your design process SW: One of the key points I focus on with my fashion is using existing materials and not buying anything new. Unfortunately, this method only works sometimes in my favor. For example, for my London Fashion Week collection, I made a dress with some feather trim, and I needed more trim, so I had to order new trim to finish the piece. Such things happen, but I mostly use found materials. Some of the most adored gowns I have made were made from sheer curtains someone gave me. My finalé piece for LFW was a dress made with an antique tablecloth. There are enough materials out there in the world. Moreover, all my pieces are one of a kind, so I don't need a ton of fabric to do size runs; I only need enough to finish one item. I also use a lot of leather and fur, which some would complain about. But the way I see it, I am using the rest of the animal. For example, I will take an old fur coat sitting that's been sitting for decades in the back of a closet, disassemble it, and turn it into something new. I deeply love using animal products because I am breathing life back into an item that has been forgotten, not to mention where a creature was sacrificed. If an animal died for its fur 50+ years ago, we should still try and get some use out of it, so it doesn't go to waste. And some people still hate fur and leather, but they already exist, so we should put them to use instead of throwing them out. Another thing I do that I think is worth mentioning is that when I am designing a runway piece for a model, I like to get to know my model first to make sure I am making something that they would love to wear and feel comfortable wearing in front of a crowd. If they are uncomfortable, you will see it in how they hold themselves, and I never want someone to be uncomfortable. So that element of collaboration is an integral part of my process when I share my art with others. IFD: Tell us about Fringe fashion show that you produce- we got to attend a few times and was such a special and unique experience! SW: I was a young designer fresh on the scene doing my first fashion show. I had auditioned to be in FashioNXT for two years and finally got accepted the second time I applied. I have many friends outside the typical model stereotype and greatly enjoy working with those models. But looking at the lineup of models for FashioNXT I was disappointed that I needed to pay hundreds extra to bring in my own models. So I made Fringe in response to what I saw as flaws in how FashioNXT ran things. I am not trying to talk badly on the show. That is the biggest & most attended show in town. But I don't see people like my friends and myself represented there. So if you think I am talking bad about FashioNXT, I hope you read further to see what I feel now. So here is how it happened: one day in 2018, my friend Tom Lupton and I were doing a photo shoot with a model named Samantha Powell. After Samantha left, we had a drink and sat on the photo studio floor. I was lamenting that I was too poor to afford to bring in any of my models and how it seemed like all the fashion shows in town were only showing tiny models and all the show fees would add up if I wanted to do these shows. And I looked at Tom and said, "Wouldn't it be cool if we did a fashion show?" and he agreed. Later that night, I worked downtown at Star Theater with my dad, the manager. I asked him if we had ever had a fashion show at the theater, and he said, "Why? Do you want to do one?" And he let me put a date on the calendar that night for later that summer, and we put our first fashion show together in just months! I was so proud of the outcome. We mainly showed emerging designers, I didn't charge fees for designers, and we cast models without limitations for the models we were looking for, meaning no height limit, no size limit, age limit, or gender limit. We had such a bright and vast array of models and designers, and the feedback from the community was just outstanding. Our first show sold out, standing room only. It was amazing to see and still fills me with joy. Currently, we are not planning another event for Fringe. I am nervous now that the pandemic has changed all of our lives. I am afraid to do all the planning and work for an entire event to have many models drop out the day before because they have covid or something. So I am hesitant to put all the work in now, especially since Fringe doesn't generate any income. We have done four shows now, three at the Star Theater and one at the Armory. I never made a single dollar from any of the events; they were all to create a stage for the community to showcase those often underrepresented, overlooked, and excluded in the fashion world. If I had all the time in the world, I would keep planning events and working full-time. Also, since the last Fringe event, I have traveled to show my runway collections to bigger, more glamorous shows than the shows we do here in town. I am not trying to make myself sound cool, but I want to provide some context for what I am about to say. I used to be all up in arms about fashion inclusion, how every fashion show should have plus-sized models, and how we need to go above and beyond to break down the barriers in the fashion industry. Now my viewpoint is more realistic. While yes, I am as woke as a designer can be, I am now enlightened on the struggles of traveling out of town with all my gowns packed up in a suitcase and meeting my models three hours before the event starts. When I was at San Francisco Fashion Week, I met all my models, and then one of them refused to wear my collection! Each piece had animal products in some way, be it silk, fur, or leather, and she was vegan. So instead of being in the show, she chose not to walk. I was astounded. If I had known, I would have made her something vegan, but the show producers would have had to wait to let me talk to my models. So that was super upsetting to me that one of my pieces has never seen the light of day, let alone a catwalk as I had intended. At London Fashion Week, I had a similar situation occur; one of my model's hip measurements was about 5 inches wider than she initially told me. I was super annoyed because the one I made for her was one of my best pieces, so I held my breath, zipped myself into the gown, and walked the runway with my models. I barely squeezed into that gown, but I made it work! I could have made it work if I had fit her in advance, but I had just flown there days before. Unfortunately, I didn't bring my sewing machine, beads, or supplies. So I had to wear it instead to ensure the look got seen in the collection. I am explaining all this because these experiences gave me a more realistic outlook on why models at very high-profile events are so skinny. As a traveling designer, I need to know that my models will wear what I make and ensure they will fit. I traveled across the world to find out on the same day of the event that my model was the wrong size. So now I get why FashioNXT is featuring such tiny models. It is a sample size for a reason, designers pay money to be in these shows, and they want to avoid showing up to find out that what they brought isn't going to work. And the bigger the model, the more variance there will be in body shape. Even when I was a size 6 in dress, my friend and I could have the exact bust/waist/hip measurement, and the garments I made would look different. So plus-sized models will have even more variance. So I get it now, and I feel apologetic for bashing the bigger shows in town for being less inclusive. At the same time, that makes Fringe an inclusive fashion show essential. Because all models are valid no matter what their size is. Fringe is a local show for local designers and models, which means that the designers and models can meet months in advance and make sure they make garments for the runway that will certainly fit and look great without worry. All of our shows play an essential role in the community. It is good that our shows are different. That way, we can support and help each other because our shows vary. It isn't like we are stepping on each other's toes because we are in different lanes, which means we can cohabitate. IFD: FashioNXT takes place every October here in Portland, and is touted as the 2nd largest fashion event in the county. Could you tell about your experience as and emerging designer in their Up NXT category? SW: I met many lovely people at FashioNXT and loved attending their events. Some of the pics from my runway collection on that stage are my favorite to show off when discussing my designs because their long runway looks so good. The accelerator program was very informative, and I still use the knowledge I learned through the featured workshops I attended. I admire everyone in the same UpNXT program as me, and I still follow all of their work. IFD: What inspires you? SW: What inspires me changes every day. The best way to put it is that I am seeking beauty. I am seeking the beauty in someone's smile when they put on one of my pieces. Beautiful vintage cut glass beads from 70 years ago inspire me. I get inspired by the beauty I see when I work with a photographer, and they bring my piece to life in a way I had not considered. I get inspired by the feeling of putting on a gown made just for me and knowing no one else in the world has the same garment, and if anyone asks me about it, I get to say that I made it, cut the pieces, sewed every single stitch, sewed on every single bead. The thought inspires me that after I die, all my beautiful art will remain, and hopefully, whoever has my pieces will care for them after my death. I view it as a record of my existence, and it inspires me that the beauty will remain even after I am gone. IFD: So you recently got engaged! Congratulations. I know you will have unique ideas for your wedding attire- can you share with us your plans? SW: Alexander and I got engaged after 4.5 years of being together, and I will treat my wedding like the most significant art project of my entire life. Alexander is a major part of my life. Alexander became the vendor coordinator in Fringe, which was a massive help. When I got invited to be in London Fashion Week, he and I were conspiring on how to afford the trip. We planned on living with my family for a few months to save up to be in the show and fly over there. Then, one day he surprised me by taking out a personal loan so I could follow my dreams, and honestly, I had never been so moved by someone before like that. It was such a huge gesture of love to do something risky for me and for him not to hesitate. We are deeply in love, and I am making my outfits, his outfits, and the outfits for everyone at our wedding party. I am excited to make all the outfits because then it will be like everyone involved in the ceremony gets to take home their work of art to remember the occasion. And my mom wants a dress too, so if I have time, yes, okay, mom, I know you are reading this, and I will make one for you too! We are planning a long engagement because we need the budget, and I will need time to make all the outfits. I am planning on taking this year to experiment with different sewing techniques that I might want to try with my wedding dress. So I currently have six photoshoots booked for myself this year, and for each one, I will try a different type of white gown. Not only will this give me the time I want to experiment with new styles and ways of sewing, but it will also help me figure out which style looks best on me after my pictures return. IFD: What strengths do you feel are necessary for the type of work you do? SW: My greatest strength as an artist is that I am always open to new techniques. I always try new things and colors and get inspiration from a new cut or fabric. I have much patience when it comes to sewing, so I take my time and focus on the details. My favorite parts are the details! I am beading a dress for a shoot and have been working on it for three weeks. I am at about 51 hours spent on one skirt so far. The beadwork is where I shine. I always tell people to follow where their creativity takes them. I learned how to sew because I was doing animation. I was doing animation because I attended school to learn to be an illustrator. I wanted to be an illustrator because I loved drawing in sketchbooks as a kid. So go where the creativity is pulling you; you might surprise yourself! IFD: What skills are required to do what you do? SW: You get a good feel for how to make clothes if you can try them on afterward. I don't make much masculine clothing because I don't wear that style often, but when I do make more masculine clothing, I am still making it for myself. I get a better feel for what I am doing if I can feel it on my body and how the fabric moves when I move. So patience, having good spatial awareness, and designing for others, you must be a people person. Also, embrace your mistakes because every mistake is a lesson learned for the next project. So the willingness to mess up a lot and adapt is crucial. IFD: What advice would you give someone entering the apparel field or wanting to follow a similar path? SW: Don't follow in my footsteps if you want to make money as a designer. I view myself as a fashion activist. I have expensive taste in fashion and the budget for a thrift store. I learned how to sew to remove myself from the fast fashion cycle. I liked the costly beaded gowns from the magazines and couldn't afford them, so I learned to make them myself, and I am happy that I did because it brings me so much joy. So if you want to become a fashion activist and say goodbye to poorly made cheap clothing and remove yourself from the cycle of suffering that the fashion world creates (human suffering and the damage to the planet), I encourage you to get a sewing machine and make your own clothing. IFD: What is your design/development process? Tell us about some of the necessary steps and how you like to work- such as initial concept, shopping, finding inspiration, and prototyping. SW: I often draw pictures for designs and then never follow that drawing. I just can't! I think of a new thing along the way and stray far from my first idea. I like to save pictures I see of runway looks that speak to me, and I want to see how I can twist a vision and make it speak more to my style. I view my process like I am a sculptor. I take a scrap fabric, hack into it, pin it to a dress form, and let the material tell me what it wants to do. I usually draft 1-3 versions of a dress in scrap fabric before cutting the fabric I want. I save all the pieces and label them with a marker so I can use the final draft for the next piece if I choose to do so. IFD: What are some of your goals and vision for the future? SW: I cannot stress enough that I only want to sew clothing for myself from now on or sew a dress for runway collections. Sewing for myself is at the heart of why I even learned how to sew in the first place, and I find that the more I start trying to design things for other people to wear, the more I am not having fun anymore. And since I work a full-time job, all the time I get to spend sewing, I want to sew for myself and not someone else. So for my wedding, I am making the looks for everyone involved, but it still feels like I am doing it for me since it is for my wedding. Honestly, I want to be happy. Life is short. I don't want to spend my days forcing myself to be creative to pay my bills, and I want my creative energy to be untouched by capitalism and be a pure source of joy for myself to enrich my life. So I want to spend my short life being happy, making art, and adding as much beauty to the world as possible. IFD: Who inspires you? Did you have a role model- a "she-ro" that inspired you? SW: I am inspired by the women who came before me. My mom is a huge source of inspiration for me. She had a hard life, and she is still standing. She still finds the beauty in the center of every flower, she still wakes up every day and chooses to see the bright side even when things are dark, and I aspire to be more like her. After learning to sew, I know that my great-grandmother was a very talented seamstress and used to make clothing for her whole family. She would look at something in a magazine and make it the next day just from one photo. So I inherited my talent and love for all things beautiful in a dark world. The darkness makes the lighter things shine that much brighter. So I look up to people who bring positivity, joy, and beauty to the world. Artistically, I look up to Elsa Schiaparelli, who was so ahead of her time, and her designs are so freaky and weird. I hope to be as outstanding as she was. IFD: Sloane, do you have any tips & tricks you can share for aspiring designers? SW: YES- Id like to share the Top 5 tips and tricks for beading! 1. Use upholstery thread. 2. maintain tension to ensure the beads are secured. 3. beeswax on the thread can help keep the threads from tangling but not too much, or it will gum up the beads. 4. stick to a color scheme. 5. Make sure to test your beads with water. Some beads have dye on the outside that will rub off on your fabrics. & My Favorite place to find materials: SCRAP PDX is my #1 place to get materials, and the trick is to go often or volunteer so you can see what is coming out on the floor and make sure to find all the good stuff. It is like goodwill for arts and craft supplies, and they need our help if they stay open forever as I need them to be, so please shop there! Everything is so cheap, and they get lots of vintage stuff that is just amazing. IFD: Any Final Thoughts? SW: I would also like to mention that I am now identifying as non-binary and use they/them pronouns instead of she/her. I changed this not because I don't identify with femininity or want to be more masculine. On the contrary, I think I am feminine in how I present; if you know me well, I have a profoundly male personality. I don't like the box that being a "woman" puts you in. Especially with all these people trying to control what women can do with their bodies, I want to stay out of the expectations that society pressures you to fit into; if you go along with societal standards or go against them, the means of expectations are there. My little slice of heaven always refers to me as they/them because I feel like I get to exist on the merit of who I am and not what is expected of me. Additional fun Links: ifd Behind the Scenes with Sloane Video Scrap Bora Behind the Scenes Video Bora Architect (Design Week Portland Collab Project) FashioNXT Sloane A. White IG We love hearing from our readers; Have a feature you would like to recommend? RECOMMEND A FEATURE STORY Want to be a featured maker or brand? SEND AN INQUIRY HERE Curious about advertising with us? SUBMIT AN INQUIRY HERE Curious about Design and Development services? REACH OUT TO US HERE Want to learn about our annual Ethical Fashion Festival and how you can get involved? EFF INQUIRES

In Conscious Fashion Design There are four distinct life cycles of a garment to consider: Textile Production Garment Manufacturing Customer care Landfill Each has effects on the environment and humanity. So how can we as designers and industry professionals incorporate more informed and conscious decisions at each touch point within the lifecycle of a garment to create Conscious fashion? View our online workshop, "Bringing Consciousness into Fashion" led by Daniela Caine, Designer & industry pro. She walks us through the lifecycles of a garment, and how to look at the big picture. This is essential to gain an understanding of the process and the effects it has on people and the planet. Looking at the lifecycle in its entirety, she will share practical ways to increase your ability to help steer the industry into more conscious patterns. Workshop Take-Aways: Understand the bigger picture based on current industry and consumption statistics. Learn to design with the end In mind Understand the impact of each garment life cycle Empower the ability to make wholistic design choices Take a peek at the replay of this class and check out our listing of other online learning opportunities to gain knowledge of Conscious and Ethical fashion. Become part of the conversation & connect with us directly through our online live sessions and Community Conversations. Meet our industry pros, ask questions, and level up your knowledge and connections to make an impact on the work you do. Included in this workshop is a takeaway PDF document. Daniela Caine is a designer, breathwork facilitator, and core energy coach with a mission to increase consciousness and empower women and artisans across the globe. She's a veteran of the global apparel industry having worked for such brands as Nike, Adidas, and Pendleton and she's the founder of Koryphae - a high vibrational clothing line for conscious women where she collaborates with global artisans, makers, and ethical production houses. She believes that what we wear is not just a reflection of who we are, it's an extension of our energy field. As such it is in our best interest to wear Love not suffering. This workshop is FREE for IFD Connect members. To learn more about membership and benefits, visit us here Visit Koryphae

Design Principles; What exactly are they and how do we use them to bring our ideas to life? In every design endeavor, whether it's fashion, graphic design, architecture, or product design, certain principles serve as the backbone of a successful creation. These principles, such as proportion, balance, emphasis, unity, contrast, rhythm, harmony, scale, functionality, and individuality, guide designers in crafting captivating and harmonious compositions. They form the essential toolkit that ensures a visually pleasing and effective design, regardless of the medium or purpose. Today we will cover 2 sets of Design Principles, the foundational, and specific to principles of fashion design In addition to the below, Artist Lee Calderons the "OTHER Design Principles" are being discussed during our next Community Conversation, Thursday, June 8th, at 10:00 AM PDT. Free and open to all. Create a profile with the link below and RSVP to the EVENT to attend. DRAMA: Creating moments for the right moment LAYERS: One thing leads to another INTENT: Kiss me like you mean it VIBE: Make me feel something GOD: What's the 'God' in your design?.... Can't wait to hear what Lee's thoughts on this are!! First, to learn more about principles of design, let's explore Foundational Principles of Design that transcend boundaries and unlock the potential for extraordinary design in any field. It is important to understand this concept and will help you think and view objects in a new way. 1o Foundational Principles of Design 1. Proportion: Proportion refers to the relationship between different elements in a design. It involves balancing the size, scale, and placement of various components, such as garments, accessories, and patterns, to create a visually appealing and harmonious look. 2. Balance: Balance is about distributing visual weight evenly within a design. A designer can achieve this through symmetrical or asymmetrical arrangements of elements. Balancing different colors, textures, and shapes helps create a sense of harmony and stability in fashion design. 3. Emphasis: Emphasis highlights a focal point or a specific area of interest in a design. It can be achieved through bold colors, unique patterns, or eye-catching details. Emphasis draws attention and adds visual appeal to the overall composition. 4. Unity: Unity refers to the coherence and consistency within a design. It creates a sense of harmony and visual connection between elements, such as color schemes, patterns, and fabric choices. Unity helps to establish a cohesive and well-integrated look. 5. Contrast: Contrast involves juxtaposing different elements to create visual interest and impact. This can be achieved through contrasting colors, textures, or shapes. Contrast adds dynamism and depth to a fashion design, making it visually compelling. 6. Rhythm: Rhythm refers to the repetition or variation of elements to create a sense of movement and flow. Achieve this by repeating patterns, shapes, or motifs. Rhythm adds a dynamic quality to fashion designs, guiding the viewer's eye across the composition. 7. Harmony: Harmony involves combining different elements in a way that is pleasing to the eye. It encompasses the overall aesthetic coherence and balance of a design. Harmonious fashion designs often feature complementary colors, complementary or coordinating patterns, and cohesive styling. 8. Scale: Scale deals with the relative size and proportion of different elements in a design. It involves selecting appropriate sizes and proportions for garments, accessories, and other design elements to ensure they are visually balanced and proportionate to the overall composition. 9. Functionality: Functionality focuses on the practical aspects of fashion design. It involves considering a garment's intended use and purpose, ensuring it provides comfort, ease of movement, and proper functionality while maintaining a stylish aesthetic. 10. Individuality: Individuality emphasizes expressing personal style and uniqueness in fashion design. It encourages designers to create distinct and original designs that reflect their creative vision and cater to the wearer's individuality. 6 Principles of Design For Successful Fashion Designs So What are Design Principles specifically for Fashion Design? Fashion design is a dynamic world where the elements of design serve as the foundation for creating stunning garments. Historically designers skillfully utilize these elements to craft their designs and bring them to life. Behind every successful fashion piece & collection lies a strong foundation built upon these main principles of design. From proportion and balance to emphasis and unity, these principles guide designers in creating visually striking and harmonious compositions. Let's explore each design element and how they come alive in fashion. 1. Line: Lines in fashion design define a garment's overall structure and silhouette. They guide the eye and create visual pathways, whether through the clean lines of a tailored suit or the flowing lines of a maxi dress. Lines can be evident in seam placements, trims, fabric patterns, and prints. 2. Space: Space in fashion design refers to how the fabric interacts with the body and occupies physical space. It involves strategically placing and arranging design elements to create a balanced and visually pleasing composition. From a voluminous ball gown to a sleek, minimalist ensemble, space impacts a design's overall look and feel. 3. Shape: Shapes are the building blocks of fashion design, defining the contours and silhouettes of garments. Shapes are crucial in creating unique and recognizable structures, whether fitted sheath dresses, A-line skirts, or boxy oversized jackets. They can be emphasized through pattern cutting, draping techniques, or choosing fabrics. 4. Form: Form brings depth and dimension to fashion design, transforming two-dimensional fabrics into three-dimensional pieces. It involves the construction techniques used to shape garments, such as pleating, gathering, or boning. Form adds structure, volume, and movement, creating visually captivating designs. 5. Texture: Texture in fashion design adds tactile and visual interest to garments. It can be achieved by choosing fabrics such as soft velvet, textured lace, or embellished surfaces. Texture creates depth and richness, enhancing the overall sensory experience and adding a unique touch to the design. 6. Color: Color is a vibrant language in fashion design, evoking emotions and setting the mood. Color choices play a significant role in expressing the aesthetic and message of a garment. From bold, attention-grabbing hues to subtle, understated tones, color creates impact, enhancing the visual appeal and telling a story through the design. By harnessing the power of these elements, fashion designers weave together their creative vision, crafting visually beautiful and wearable garments of art. Understanding how lines, space, shape, form, texture, and color interact allows designers to bring their unique ideas to life and create unforgettable fashion moments. Remember, these principles are not strict rules but guidelines that can be applied and interpreted in various ways to create innovative and compelling fashion designs. How will you apply these to your next creation? At a minimum, these principles are a good reference point to have in your "Design Tool Box" for reviewing your work. If something is off or just isn't working right, look back and these and notice where you could make some adjustments to achieve these. To learn more about Irish Designer Helen Cody, visit here To learn more about Parisian Designer Moira Christescu visit here Click here for a downloadable PDF to keep handy I hope you found this article helpful! Do you have your own Design Principles and how do you incorporate them into your work? Let us know in the comments! Like this article? Please share! We appreciate you as we continue to evolve and provide value with our content and community! Looking for a place to connect with other like-minded industry humans? Check out our free online community- open and welcome to all! Need help with your Design work? Shoot me a note! Design@insidefashiondesign.net Call/Text: 971-533-6269 With much Love & Appreciation. Peace, Love & Happy Conscious Creating! Britta Cabanos, Founder Inside Fashion Design

Article Contributed By Todd Harple Looking to create experiences for your consumer or brand? Todd Harple is a natural teacher and mentor, for over twenty years Todd has led product and research development efforts at the cutting-edge interface between people, technology, and business, leading the establishment of services and experiences that shape how we use technology today. Today he shares his words of wisdom about creating experiences: In designing “experiences” for people as well as for other types of services, there are four key questions: 1. Who is my audience? 2. What is the experience I wish to enable? 3. How will I enable it? 4. How will I know if I have achieved my goals or how will I measure success? For the first question, it may seem obvious for whom you are designing and I’m sure that you could easily provide a response off the top of your head that is an approximation. But by asking this question, I mean to really understand as best as possible from a holistic perspective who these people are, privileging THEIR perspective: Who are they? Where do they come from? What is their world experience? What does daily life look like from where they live? What do they need and/or value? These are critical components of designing experiences. If we take the perspective that we are aiming to design to meet the explicit needs and/or values of our target audience, we have a better chance of succeeding in developing solutions that will work in their world. Next, you need to build a clear perspective or vision of the experience you are aiming to enable— What might it look or feel like? Can you make a low-fidelity prototype? Can you act it out? This is absolutely critical to beginning to frame up the structure of services, technologies, and interactions that may be involved. Sometimes answering this question can prove quite challenging. If you cannot envision the end solution, your chances of success I believe are much lower. Finally, the third step builds off of the second. Once you’ve clearly outlined how that experience might look in the best-case scenario, you need to break down that experience into individual components to understand the business, technology, and user needs at fundamental levels. In particular, the global nature of the UN’s work makes it necessary to carefully consider not just the technical requirements, but also the social, political, and economic impacts of, for instance, selecting one platform over another as a simple example or selecting one or another technology hardware provider. How will it be seen by your participants? How will it be seen by the rest of the world? Some recommended reading from Todd: 3 books to read for your audience: Basic Design: Don Norman’s The Design of Everyday Things – A very good, basic primer about how we experience and interact with our physical surroundings and how design can make or break an interaction. As an anthropologist, I wasn’t exposed to this until much later on in my career and it left a strong impression on me in regards to making my social and cognitive insights more tangible and useful. Norman had a later book called Emotional Design, but I still think The Design of Everyday Things is a solid, must-read foundation. Dev Patnaik’s Wired to Care – Provides an easy-to-read introduction to how empathy is central to who we are as human beings and can be leveraged in the service of good design. He uses examples of “empathic design” to illustrate success stories. I think some of these lessons are particularly relevant to those involved in learning, training, and other knowledge-sharing/knowledge-exchange environments. The Last Lecture by Randy Pausch – This is an incredibly moving book (and indeed you can watch a video of the actual lecture on YouTube) by a professor of Human-Computer Interaction and Design at Carnegie Mellon University. But this book is not so much about his work in Computer Science, but about the importance of overcoming obstacles, enabling dreams, and living life to its fullest. It's very inspirational and from time to time I return to it to re-frame what I am doing and prioritize in both work and life. 3 must-read articles 1. One of my favorite articles is ‘The Hidden Biases in Big Data’ by an acquaintance at Microsoft Research, Kate Crawford. She points out how data as a derivative of human constructs and algorithms is indeed not scientific fact but subject to interpretation (http://bit.ly/17Nxg0l ) 2. Another article that I think readers will find useful and interesting is ‘From Knowledgeable to Knowledge-able: Learning in New Media Environments by my friend and colleague Mike Wesch, an Anthropology professor at Kansas State University https://scottwortman.wordpress.com/2013/09/16/from-knowledgeable-to-knowledge-able-a-critical-summary/). In this article, Mike astutely assesses the challenges that educators of all sorts face in a new era of knowledge exchange and management. 3. There was a great collection of articles in the Summer 2009 edition of MIT’s Sloan Management Review (Volume 50 No. 4) dedicated to Design Thinking. While the design world may well be presently preoccupied with emotional design and big data, the articles in this review are an excellent introduction to ways to infuse design and design thinking into your everyday work practice from management to representing data. (http://sloanreview.mit.edu/issue/summer-2009/). In particular, I recommend the articles by Norman, Tufte, and the interview with Nancy Duarte and Gary Reynolds. 3 websites: 1. http://scholar.google.com -This places much of the known world of literature at your fingertips. I start almost every endeavor here–don’t reinvent the wheel, build upon the knowledge of others! 2. http://www.youtube.com/user/crashcourse – This is a novel and engaging approach to learning featuring one of my favorite vlogs (video bloggers) John Green. Learn about topics like history and chemistry in 10-15 minute chunks formatted in an engaging manner! 3. http://www.mentalfloss.com/ –Quirky and funny and full of facts you may never have known that you wanted to know! Another exa mple of how knowledge exchange and learning can be fun and engaging! Bio: Todd Harple, Ph.D. transforms insight into action. An innovation catalyst, strategist and cross-functional team leader, he develops new technologies, services, and concepts from insight into market-leading ideas, intellectual property, and products. From high tech to sports, fashion, healthcare, and community development, Todd is a proven resourceful thinker and empathic, flexible problem solver with an eye toward business outcomes. With a reputation for results, Todd advises senior leaders in established organizations as well as startups on research and innovation initiatives. A natural teacher and mentor, for over twenty years Todd has led product and research development efforts at the cutting-edge interface between people, technology, and business, leading the establishment of services and experiences that shape how we use technology today. From IP content on the TV (his research enabled Intel’s first System-on-Chip design win in a Set Top Box in 2007) to the advent of smartphones, and wearables to today’s data economy, augmented reality and AI – his work has been both global and prescient across technology, fashion, fitness, sports, and retail and showcased at global events including the Olympic Games, New York Fashion Week and the Consumer Electronics Show. Todd’s work has also been featured in leading business, technology, and design media including BBC, VentureBeat, Mashable, Business of Fashion, Engadget, Digital Trends, and Refinery 29. He has given talks, presentations, keynotes, and webinars at fashion, technology, design, and sporting industry events around the globe including in London, New York City, Paris, Stockholm, Milan, Lausanne, Los Angeles, and Las Vegas. How do you create "experiences" for your consumer? Let us know in the comments! Check out a past Design Week Portland event featuring Fashion Tech Powerhouses; Crossing the Boundaries of Fashion & Technology In this event, IFD brings together industry leaders in Fashion & Tech. Asher Levine, Billie Whitehouse, Francis Bitonti & Jim Chi chat with Dr. Todd Harple, Director of Experience & Innovation, Olympic Technology Group at Intel Looking for a place to call your community? Check out our ifd Connect Community; here you can join other like-minded creatives striving to connect, support, and make a positive impact. Like this article? Please Share. Want to stay in the know? Subscribe to our newsletter to stay connected and up-to-date on all our latest insights & inspiration! We appreciate you! This post may contain affiliate links. I’m careful to link to products and retailers that I use myself and recommend. Money earned keeps Inside Fashion Design running and allows me to do what I love for a living and keep providing valuable content for you. 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